Chest Voice, Head Voice, and Mixed Voice

From: Your First Singing Lesson With Abram
by Abram Poliakoff

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Description:


In this video, we’ll cover three terms that are often used by singers and teachers: chest voice, head voice, and mixed voice. These are all “registers”, or different “modes” you can sing in. All that means is: your voice works in a particular way, and there’s a unique sound that results. We won’t be working many exercises in our mixed voice as this often takes some time for lower voiced singers to accomplish in a healthy way. So instead we will try out a few phrases from a short song. 

“Chest voice” is essentially using your speaking voice function to sing. It’s called chest voice because most people feel a strong vibration on their chest when making sound in this way. Chest voice is typically strong, full, and relatively loud as you sing higher pitches. But it’s limited! You might have run into the limitations of chest voice by trying to sing really high and experiencing a voice crack. 

For higher pitches, we first learn to access them using another function called “head voice” or “falsetto”. 

Finally, let’s learn about what’s often called “mix” or mixed voice. As you might have guessed, mix is using a balance of chest voice and head voice function, especially for medium and high pitches. Mix is used to transition smoothly from chest voice to head voice, and to sing higher pitches in a way that’s not shouting or “flipping” into light head voice.

Exercises:
Chest voice “Hey There” 3-1, “Mah Mah” 5-1 
Head voice “Wee ooh” (spoken), 1-5 x2 (sung)
Chest & head voice “Nah Noo (Nee) wah”: 1 8 1
Ahh to EE Siren
Song Work: This is the Time

Alright lets try singing through a few phrases of a song in our chest voice. I’ll sing a line and then you try to match me. Singing a song requires matching singing specific pitches at the right time with the right chords. This can seem daunting, but there are many tools to keep track of whether or not you are singing at the correct pitch like following along with a chromatic tuner and a piano.

It takes repetition, but you will get better at this with a bit of patience and practice. If you find this next part very hard to follow, then consider trying some of our lessons and extra support on matching pitch. Alright let's give it a shot. 

Am                    C
Trapped inside, my own mind
G                          D
Set it free, it’s all I strive for

Am                C
Breaking out, gonna shout
G                              
Blow it up and rise


Lessons:

Instructor: Abram Poliakoff


Abram Poliakoff is a singer, guitarist, pianist, teacher, conductor, and composer. He received a Bachelors of Music in Vocal Arts from USC’s Thornton School of Music and has been teaching music for 8 years. He is currently both the Associate Artistic Director and a tenor in the L.A. Choral Lab, which recently released its first studio album Sonic Visions in the fall of 2019. Abram teaches and performs a wide range of genres including Classical, Jazz, Folk and Popular music in the Los Angeles area. He has also sung with the San Francisco Opera and Pocket Opera in the Bay Area. His teaching mission is to help his students utilize vocal technique to find their authentic and healthy voice while maximizing genre flexibility and a naturalness of expression.