30 Day Singer Blog - archives - page 12

As you learn to sing and immerse yourself in the singing community, you will hear other singers and voice coaches use terms such as vocal register, range, breaks, etc. 

You likely have no idea what these terms even mean, let alone how to apply them to your own vocal development. 

To make it more confusing, not all vocal pedagogist define these things in the exact same way. 

So, where do you start?

The term soprano refers to the highest-pitched singing voice. It comes from the Italian word, sopra, meaning over, on top, or above. While the majority of sopranos are women, male countertenors who can sing in the soprano range are called sopranists, and young boy sopranos are called trebles. 

Stage fright is when you get nervous and anxious usually before or during a musical performance like singing. It's entirely normal when singing around people to feel a little shy; in fact, it’s hard to think of any singer who hasn’t experienced stage fright, shyness or other performance issues. Adele, powerhouse that she is, has admitted to throwing up out of nervousness before concerts even when she was topping the Billboard charts. Here are some tips to help with overcoming stage fright when singing. 

Vocal ranges like baritone, tenor, alto, bass, soprano and mezzo-soprano are usually used to determine different types of voices within singing. There are a lot of vocal ranges out there, which means choosing a type of music or repertoire to sing can be a challenging and frustrating task for singers. Learn how to determine your vocal range and music repertoire by following these steps.

Singing in your whistle register (also known as whistle notes or bell notes) is no easy feat. Beyoncé’s notorious key changes in “Love On Top” eventually climb to a whistle register voice, but anyone who’s tried singing along to this song knows it’s taxing on the voice and for many, proves physically impossible.  

Phrasing is how we divide a song into musical ideas, including where we breathe and where we place emphasis. For an example, sing through “Happy Birthday”. You probably sang 4 phrases: (1) Happy birthday to you, (2) happy birthday to you, (3) happy birthday dear Grandma, (4) happy birthday to you. That’s easy, natural phrasing!

The first vocal exercises I did were The Siren. My instructor told me to let them hear me “three blocks away”. I felt silly and awkward, but I did it. It turned out to be the first time I had ever heard my voice projected at it's loudest, and found new breath control. 

Voice auditions are nerve-wracking. You walk into a room and are asked to stand on the big X duct taped to the floor facing a panel of people you don’t know! You’re feeling scared, nervous, and stressed. You’re probably silently muttering lyrics to yourself…hopefully not audibly, but who knows depending on how stressed you are. You quickly explain your tempos to the provided pianist, briefly introduce yourself and your piece, sing for about 60 seconds, say “thank you,” and walk out...

Scat singing is the act of using the voice to create instrumental sounds, often in a way that is experimental or improvisational. Scat became popularized in the early-to-mid 20th century with jazz singers like Louis Armstrong, Ella Fitzgerald, Sarah Vaughn and Cab Calloway. Even though it’s a skill that can be difficult to master, scat allows singers a lot of freedom once they get the hang of it, and is a thrill to hear when done well. 

Vocal fry is a singing technique people seem to be split up on. Many dislike the low, creaky sound of it, and more love the element it adds to a song, but as long as you do it right, those picky listeners might not be instantly turned off. It’s actually used a lot more than people think, and is often disguised with projection. The kicker about it though is keeping the volume and quality while practicing safety. What happens when you amplify vocal fry is you scream, but by safely harnessing that ability, you can create a very gutsy tune that will likely add an emotional distress to your song.